The Hungarian-born French photojournalist Paul Almasy had a long, illustrious and global career as a war correspondent, chronicler for UNESCO and teacher at the Sorbonne, but few have heard of him today. This well-made and affordable hardback aims to fix that, with a hundred or so postwar shots of Almasy’s adopted home on a par with the work of his better-known contemporaries Doisneau and Cartier-Bresson. It’s a tender, often wry survey of a city in social and physical flux, where men in homburgs walked the same streets as Vespa-mounted mods and the Tour Montparnasse shoved remorselessly into the sky.
Paris, teNeues (2020), ISBN 978-3-96171-257-1, pp144, £12.50
The photo at the top of this post (© Paul Almasy/akg-images) shows a bashed Ford Vedette on place de l’Opéra in the 1950s.